Category Archive: Uncategorized

THE MUSIC OF INNER-RETURN: PART 2

There is another important element that illustrates “inner return”: it’s the concept of “return”, when composers prominent as pre-war modernists return to old-fashioned concepts such as symphonies, sonatas and string quartets. Of these… Continue reading

Die Strudlhofstiege – the Strudlhof Steps

This entry represents an intermezzo between my articles on the music of exile and the music of “Inner return”. I’ve changed my Facebook profile picture to that of an urban stairwell. After 15… Continue reading

The Music of Inner Return: Part 1

Apologies are due for having neglected this blog for so many months.  There has been an inordinate amount of activity at the exil.arte Centre with acquisitions of several important estates, a symposium which… Continue reading

exil.arte: 2018 and what we’ve learned:

As the old year closes and a new one starts, I look back at the progress that our exil.arte Centre has made and find myself acknowledging that having come a long way, we… Continue reading

Reflections on Music and Politics at a Time of Transition

In the year 2018, as we reflect on 1918 and in Austria and the Czech Republic, on the year 1938, we encounter more and more references suggesting a repeat of Weimar Constitution Germany:… Continue reading

“Heimat Erde” – “Homeland Earth”: Four Lessons to Learn from The Loss of Local Composers

(Heimat Erde March by Robert Frey aka Freistadtl) Over the last months, the exil.arte archive has acquired an eclectic collection of composers and musicians, which I hope sets the scene for how the… Continue reading

Walter Bricht’s “Scattered Leaves” return to Vienna

(“Verwehte Blätter” – “Scattered Leaves” no. 8 Rasch; Fort Wayne Philharmonic, conductor Andrew Constantine: Toccata Classics) It seems incredible that the first time I wrote about the composer Walter Bricht was five years… Continue reading

Two Decades Since the Death of Berthold Goldschmidt

This posting follows an interview conducted with me at the Bregenz Festival in July 2018 where they presented Berthold Goldschmidt’s opera Beatrice Cenci. The close relationship I enjoyed with Bertold Goldschmidt has been… Continue reading

Werfel’s “Forty Days of Musa Dagh”

A couple of months ago, I received an email from a producer at the BBC informing me that they were putting together a programme on Franz Werfel, and more specifically on his book… Continue reading

Reflections on “Entartung”

As so often with an attempt to right a wrong, language gets in the way. “Entartete Musik” is a Nazi term, commonly translated as “Degenerate Music”, when actually, it more accurately means “Deformed… Continue reading