In the year 2018, as we reflect on 1918 and in Austria and the Czech Republic, on the year 1938, we encounter more and more references suggesting a repeat of Weimar Constitution Germany:… Continue reading
As the old year closes and a new one starts, I look back at the progress that our exil.arte Centre has made and find myself acknowledging that having come a long way, we… Continue reading
The Shoah is by and large an area I try to avoid on this blog. For the purposes of the “Forbidden Music” blog, what was lost is more important than the manner of… Continue reading
(Richard Fuchs’ “Vom Jüdischen Schicksal”, written for the Kulturbund. World Premiere in Wellington New Zealand, 2014: Jenny Wollerman, Christian Thurston, Cantoris Choir, NZSM Orchestra, Donald Maurice – conductor) One of the most unsettling… Continue reading
Since posting this article on Heinsheimer, Univeral Edition has now published his history of their publishing house since its founding in 1901 to the death of Emil Hertzka and Austria’s annexation in 1938.… Continue reading
1897 was an eventful year for music in Vienna: Johannes Brahms died and Gustav Mahler took over the Imperial Opera; the anti-Semitic Karl Lueger was elected mayor; the Eleven-year-old Ernst Toch decided to… Continue reading
Over the last months, everything we thought we knew about Hans Winterberg has been turned on its head. The posting I made some two years ago resulted in enormous interest and re-opened an… Continue reading
(Heimat Erde March by Robert Frey aka Freistadtl) Over the last months, the exil.arte archive has acquired an eclectic collection of composers and musicians, which I hope sets the scene for how the… Continue reading
(“Verwehte Blätter” – “Scattered Leaves” no. 8 Rasch; Fort Wayne Philharmonic, conductor Andrew Constantine: Toccata Classics) It seems incredible that the first time I wrote about the composer Walter Bricht was five years… Continue reading
This posting follows an interview conducted with me at the Bregenz Festival in July 2018 where they presented Berthold Goldschmidt’s opera Beatrice Cenci. The close relationship I enjoyed with Bertold Goldschmidt has been… Continue reading
A couple of months ago, I received an email from a producer at the BBC informing me that they were putting together a programme on Franz Werfel, and more specifically on his book… Continue reading
As so often with an attempt to right a wrong, language gets in the way. “Entartete Musik” is a Nazi term, commonly translated as “Degenerate Music”, when actually, it more accurately means “Deformed… Continue reading
Some four years ago on this blog, I wrote an article on the extraordinary educator Eugenie Schwarzwald. That was before I read Deborah Holmes’ important Schwarzwald biography, sadly only available in German. Holmes… Continue reading
I’ve just given a talk on the first ten months of the exil.arte Centre at the Jewish Music Institute’s “Jewish Music Fair” held at Alyth Synagogue in London. This posting is a modified… Continue reading
