From Crossover Star to Survivalist – the unexpected transformation of Alma Rosé

The Shoah is by and large an area I try to avoid on this blog. For the purposes of the “Forbidden Music” blog, what was lost is more important than the manner of… Continue reading

“Vom Jüdischen Schicksal” – The Jewish Cultural League, or Der Kulturbund

(Richard Fuchs’ “Vom Jüdischen Schicksal”, written for the Kulturbund. World Premiere in Wellington New Zealand, 2014: Jenny Wollerman, Christian Thurston, Cantoris Choir, NZSM Orchestra, Donald Maurice – conductor) One of the most unsettling… Continue reading

Heinsheimer’s Hidden History

Since posting this article on Heinsheimer, Univeral Edition has now published his history of their publishing house since its founding in 1901 to the death of Emil Hertzka and Austria’s annexation in 1938.… Continue reading

The False Myths and True Genius of Erich Wolfgang Korngold

1897 was an eventful year for music in Vienna: Johannes Brahms died and Gustav Mahler took over the Imperial Opera; the anti-Semitic Karl Lueger was elected mayor; the Eleven-year-old Ernst Toch decided to… Continue reading

The Ominous Hans Winterberg Puzzle

Over the last months, everything we thought we knew about Hans Winterberg has been turned on its head. The posting I made some two years ago resulted in enormous interest and re-opened an… Continue reading

“Heimat Erde” – “Homeland Earth”: Four Lessons to Learn from The Loss of Local Composers

(Heimat Erde March by Robert Frey aka Freistadtl) Over the last months, the exil.arte archive has acquired an eclectic collection of composers and musicians, which I hope sets the scene for how the… Continue reading

Walter Bricht’s “Scattered Leaves” return to Vienna

(“Verwehte Blätter” – “Scattered Leaves” no. 8 Rasch; Fort Wayne Philharmonic, conductor Andrew Constantine: Toccata Classics) It seems incredible that the first time I wrote about the composer Walter Bricht was five years… Continue reading

Two Decades Since the Death of Berthold Goldschmidt

This posting follows an interview conducted with me at the Bregenz Festival in July 2018 where they presented Berthold Goldschmidt’s opera Beatrice Cenci. The close relationship I enjoyed with Bertold Goldschmidt has been… Continue reading

Werfel’s “Forty Days of Musa Dagh”

A couple of months ago, I received an email from a producer at the BBC informing me that they were putting together a programme on Franz Werfel, and more specifically on his book… Continue reading

Reflections on “Entartung”

As so often with an attempt to right a wrong, language gets in the way. “Entartete Musik” is a Nazi term, commonly translated as “Degenerate Music”, when actually, it more accurately means “Deformed… Continue reading

Deborah Holmes and her Biography of the Remarkable Eugenie Schwarzwald

Some four years ago on this blog, I wrote an article on the extraordinary educator Eugenie Schwarzwald. That was before I read Deborah Holmes’ important Schwarzwald biography, sadly only available in German.  Holmes… Continue reading

The exil.arte Centre in Vienna: the First Ten Months

I’ve just given a talk on the first ten months of the exil.arte Centre at the Jewish Music Institute’s “Jewish Music Fair” held at Alyth Synagogue in London. This posting is a modified… Continue reading

Gustav Mahler and the Next Generation

This is a talk I gave as part of Oxford’s 2017 Lieder Festival on October 20th. Originally, I was asked to speak on Mahler’s Vienna, but somewhere along the line the request changed… Continue reading