This is a talk I gave as part of Oxford’s 2017 Lieder Festival on October 20th. Originally, I was asked to speak on Mahler’s Vienna, but somewhere along the line the request changed… Continue reading →

(Richard Fuchs’ “Vom Jüdischen Schicksal”, written for the Kulturbund. World Premiere in Wellington New Zealand, 2014: Jenny Wollerman, Christian Thurston, Cantoris Choir, NZSM Orchestra, Donald Maurice – conductor) One of the most unsettling… Continue reading →

Returning from the summer break, I would have preferred writing about music AND politics, but these last months have subjected all of us to lots of politics, leaving little time for music. There… Continue reading →

One thing cannot go unmentioned and that’s the fact that 2017 is a double Korngold anniversary: 120 years old, and 60 years since his death. Revivals are taking place, one of which is… Continue reading →

This is the title of the exhibition that accompanies the official opening of the exil.arte centre at Vienna’s University for Music and Performing Arts on May 22nd. It is also the reason that… Continue reading →

Historically, there are cultural precedents that are worth considering. Nobody disputes this and though it’s perhaps too easy to carry on raising the spectre of Hitler, what I find interesting at this Trump/Brexit… Continue reading →

As I move my office from my home in the Cotswolds in Gloucestershire to the belle-etage of the University for Music and Performing Arts in Vienna, I find myself bereft of files, books… Continue reading →

A blog such as “Forbidden Music”, dealing with history, music and freedom of expression cannot allow the election of Donald Trump in the wake of Brexit to pass without reflection. There are already… Continue reading →

Since posting this article on Heinsheimer, Univeral Edition has now published his history of their publishing house since its founding in 1901 to the death of Emil Hertzka and Austria’s annexation in 1938.… Continue reading →

This week saw the opening of an exhibition on women composers in Vienna. It follows a run of performances Of Baruchs Schweigen – or Baruch’s Silence, by the composer Ella Milch-Scheriff with a… Continue reading →