“Vom Jüdischen Schicksal” – The Jewish Cultural League, or Der Kulturbund

(Richard Fuchs’ “Vom Jüdischen Schicksal”, written for the Kulturbund. World Premiere in Wellington New Zealand, 2014: Jenny Wollerman, Christian Thurston, Cantoris Choir, NZSM Orchestra, Donald Maurice – conductor) One of the most unsettling… Continue reading

The Pan-Anglosphere

Returning from the summer break, I would have preferred writing about music AND politics, but these last months have subjected all of us to lots of politics, leaving little time for music. There… Continue reading

Das Wunder der Heliane

One thing cannot go unmentioned and that’s the fact that 2017 is a double Korngold anniversary: 120 years old, and 60 years since his death. Revivals are taking place, one of which is… Continue reading

Wenn ich komponiere, bin ich wieder in Wien – I Return to Vienna when I Compose

This is the title of the exhibition that accompanies the official opening of the exil.arte centre at Vienna’s University for Music and Performing Arts on May 22nd. It is also the reason that… Continue reading

Post-Truth Media – Post-Truth Music

Historically, there are cultural precedents that are worth considering. Nobody disputes this and though it’s perhaps too easy to carry on raising the spectre of Hitler, what I find interesting at this Trump/Brexit… Continue reading

From Utopia

As I move my office from my home in the Cotswolds in Gloucestershire to the belle-etage of the University for Music and Performing Arts in Vienna, I find myself bereft of files, books… Continue reading

Brexit, Trump and Godwin’s Law

A blog such as “Forbidden Music”, dealing with history, music and freedom of expression cannot allow the election of Donald Trump in the wake of Brexit to pass without reflection. There are already… Continue reading

Heinsheimer’s Hidden History

Since posting this article on Heinsheimer, Univeral Edition has now published his history of their publishing house since its founding in 1901 to the death of Emil Hertzka and Austria’s annexation in 1938.… Continue reading

Female composers: “Degenerate”, “Deviant” or Deliberately Downgraded?

This week saw the opening of an exhibition on women composers in Vienna. It follows a run of performances Of Baruchs Schweigen – or Baruch’s Silence, by the composer Ella Milch-Scheriff with a… Continue reading

Popular Music in Exile

  I wrote a catalogue chapter on the persecution of popular music during the Nazi years for the exhibition Stars of David, which ran at Vienna’s Jewish Museum in 2015. Obviously, in a… Continue reading