Berthold Goldschmidt

If there is a single person who put flesh onto the skeletal idea of hunting down music lost during the Nazi years, it was Berthold Goldschmidt, the self-effacing, quiet German émigré approaching his… Continue reading

Manfred Gurlitt

One of my German colleagues wondered why ‘Forbidden Music’ seemed to have such a strong Austrian bias. I explained that the sub-title of the book was ‘The Jewish Composers Banned by the Nazis’… Continue reading

Dartmouth Jewish Sound Archive

If you go to the Dartmouth Jewish Sound Archive and register, you should, once your log-in is confirmed, be able to put Chochem into the search engine and listen to a number of… Continue reading

Corinne Chochem

Here the final two covers from Ernst Toch’s private LP collection, maintained at the Library of Performing Arts at UCLA. For those who missed Misha Horenstein’s comments on the previous posts and are… Continue reading

A portrait of Schoenberg by Kokoschka

Another striking plate from Hans Mermann’s 1928 book on ‘Modern Music’ was the 1924 portrait of Arnold Schoenberg painted by Oskar Kokoschka. The internet offers no information on where this portrait is held,… Continue reading

The Washington Post reviews Forbidden Music

Anne Midgette writes about ‘Forbidden Music’ – and is largely generous in her appraisal. Sadly, there are a number of minor-slips in my book that some people are picking up. My slip, at… Continue reading

A conference in Cairo

The accompanying photo shows Bartók, Hindemith and his wife, Erich von Hornbostal, someone I could not find any information on named Karl Schindler and Egon Wellesz. They were attending the 1932 Congrès du… Continue reading

The red-baiting of Hanns Eisler

Is it unreasonable to reflect on America’s ‘show-trials’ of the late 1940s when we see similar developments today? The House of Un-American Activities (HUAC) was not the same thing as the McCarthy hearings… Continue reading

A design from Hans Mersmann’s ‘Modern Music’

While moving material from one bookshelf to another in the study of my flat in Vienna, I stumbled on a copy of Hans Mersmann’s ‘Modern Music’ from 1928. Mersmann was one of the… Continue reading

Egon Wellesz and the Mengelbergs – a rescinded dedication

Bruno Walter would conduct Egon Wellesz’s cycle of symphonic poems based on Shakespeare’s ‘Tempest’ in Amsterdam on the very day that Hitler marched into Vienna. A return was unthinkable for Egon Wellesz or… Continue reading