Composer Walter Arlen on how Kristallnacht changed his life
An article from the Financial Times
The author reflects on his experiences writing about Jewish composers and music that were banned or otherwise impacted by the Nazis. He has published various academic works and translations on this topic over his ten year career. His new book, Music of Exile, stems from his work at Exilarte Centre, a cultural institution he co-founded. The piece discusses the lesser-known narratives of exile music, underscoring its historical significance and cultural nuances.
An article from the Financial Times
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With the end of the month, we approach an important, but under-reported event in history: 70 years since the Moscow Declaration signed on October 30th, 1943. Though the three powers of Great Britain,… Continue reading
The Symposium noted elsewhere on this page called ‘Im Anschluss’ has now concluded. I should have mentioned earlier that the title of the symposium offers in German the double meaning of Austria’s annexation… Continue reading
On cue, just as the conference in Vienna ‘Im Anschluss’ begins, (see the article on the conference elsewhere on this page), a review of ‘Forbidden Music’ appears in a German publication that highlights… Continue reading
It’s still early days and I always feel slightly amazed when I’m forwarded a review by someone who has actually read the book rather than just the opening and last chapters with a… Continue reading