The author reflects on his experiences writing about Jewish composers and music that were banned or otherwise impacted by the Nazis. He has published various academic works and translations on this topic over his ten year career. His new book, Music of Exile, stems from his work at Exilarte Centre, a cultural institution he co-founded. The piece discusses the lesser-known narratives of exile music, underscoring its historical significance and cultural nuances.
Now that I’ve finished Musil’s Mann ohne Eigenschaften, I can plough ahead with Manfried Rauchensteiner’s magisterial history of Austria-Hungary in the First World War. I’ve got as far as the 12th Isonzo Offensive… Continue reading
Thank goodness I didn’t read Marcl Reich-Ranicki’s demolition job of Musil’s 2000 page, incomplete novel – is that the right word? – The Man without Qualities. Everything Reich-Ranicki criticises about Musil’s monster is… Continue reading
An Interview with me at the Jewish Music Institute’s Radio, based at London University. Selections featured in the interview are (in order): Franz Schreker’s opera ‘Die Gezeichneten’, followed by Jaromir Weinberger’s ‘Schwander the… Continue reading
Few of the so-called ‘exiled composers’ were as controversial as Hanns Eisler. None since Wagner had written such copious and trenchant observations on society, politics and ethics in addition to writing about music.… Continue reading
In nearly every book on Vienna’s fin de siècle, the only composers dealt with in depth, are Mahler and Schoenberg. It is, however, only a partial representation of what music was expressing at… Continue reading
In the recent article on Egon Wellesz, I made a passing reference to the fact that there was already a page dealing with Eugenie Schwarzwald to be found as an earlier blog-entry. In… Continue reading
„Toch! Sie sind ein Wahnsinniger! Aber Hindemith, was bilden Sie sich ein mit solchen Werken? Sie sind doch ein aufrichtiger Bürger!“ (‘Toch! You’re a madman! But Hindemith, what could you be thinking of, composing such… Continue reading
Egon Wellesz was undoubtedly one of Vienna’s modernist masters, lost to the city and posterity after exile in 1938. He, along with Alban Berg and Anton Webern made up the original group of… Continue reading
Being in Austria just as Conchita Wurst wins the Eurovision Song Contest throws up any number of issues. I didn’t watch – in fact, I have never watched a Euro-Vision song contest –… Continue reading
There are still a small number of composers who were born to Jewish families in Germany and Austria in the 1920s, who escaped and came to musical maturity in new homelands. Walter Arlen… Continue reading
